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	<title>Hfour &#187; Uncategorized</title>
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	<description>Media, Events, Experiments</description>
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		<title>The Great Gatsby</title>
		<link>http://hfour.jp/2010/10/the-great-gatsby/</link>
		<comments>http://hfour.jp/2010/10/the-great-gatsby/#comments</comments>
		<pubDate>Thu, 07 Oct 2010 21:36:54 +0000</pubDate>
		<dc:creator>hfour</dc:creator>
				<category><![CDATA[Digital Media]]></category>
		<category><![CDATA[Stuart]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[Book Design]]></category>
		<category><![CDATA[F. Scott Fitzgerald]]></category>
		<category><![CDATA[Illustrator]]></category>
		<category><![CDATA[Rolls Royce]]></category>
		<category><![CDATA[The Great Gatsby]]></category>

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		<description><![CDATA[I designed a book cover for F. Scott Fitzgerald's book, The Great Gatsby.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><a href="http://hfour.jp/wp-content/uploads/2010/10/The-great-gatsby1.jpg" ><img class="alignleft size-medium wp-image-678" title="The-great-gatsby" src="http://hfour.jp/wp-content/uploads/2010/10/The-great-gatsby1-214x300.jpg" alt="The Great Gatsby book cover" width="214" height="300" /></a><br />
I put together a book cover design for The Great Gatsby, by F. Scott Fitzgerald.  Gatsby&#8217;s early 1920s yellow Rolls Royce symbolizes the post-war era of wealth and excess. Gatsby’s car is “a rich cream color, bright with nickel, swollen here and there in its monstrous length with triumphant hat-boxes and supper-boxes and tool-boxes, and terraced with a labyrinth of windshields that mirrored a dozen suns”.  The yellow represents materialism and money, and the green represents the light at the end of the dock in East Egg which Gatsby views from across the bay, a possible symbol of love, hope and dreams.  The type and border are representative of the Art Deco era.</p>
<p style="text-align: justify;">Typefaces used:<br />
Broadway, from 1927, designed by Morris Fuller Benton, now commonly used to evoke the 1920s-30s.<br />
Futura, from 1927, designed by Paul Renner.</p>
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		<title>Homage to Verner Panton</title>
		<link>http://hfour.jp/2010/09/homage-to-verner-panton/</link>
		<comments>http://hfour.jp/2010/09/homage-to-verner-panton/#comments</comments>
		<pubDate>Fri, 17 Sep 2010 04:09:55 +0000</pubDate>
		<dc:creator>hfour</dc:creator>
				<category><![CDATA[Digital Media]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Stuart]]></category>
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		<category><![CDATA[design]]></category>
		<category><![CDATA[pattern]]></category>
		<category><![CDATA[verner panton]]></category>

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		<description><![CDATA[Verner Panton was a furniture and textiles designer to put it very briefly. His lifetime of great works include the Tulip Chair, the S Chair (A breakthrough in plastics) and Visiona II (a cave-like hybrid between room and furniture). In addition to furniture, Panton produced some stunning textile designs. I investigated some of the circular]]></description>
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<p style="text-align: justify;">Verner Panton was a furniture and textiles designer to put it very briefly.  His lifetime of great works include the Tulip Chair, the S Chair (A breakthrough in plastics) and Visiona II (a cave-like hybrid between room and furniture).  In addition to furniture, Panton produced some stunning textile designs.  I investigated some of the circular patterns and came up with the following design:</p>
<p><a href="http://hfour.jp/wp-content/uploads/2010/09/homage_to_panton.jpg" ><img class="size-medium wp-image-667 alignleft" title="homage_to_panton" src="http://hfour.jp/wp-content/uploads/2010/09/homage_to_panton-300x300.jpg" alt="Circular experiment as a homage to Verner Panton" width="300" height="300" /></a></p>
<p>The <a href="http://www.rugdesignblog.com/2009/03/verner-panton-inspired-rugs.html" onclick="javascript:pageTracker._trackPageview('/outbound/article/www.rugdesignblog.com');">original</a> inspiring work is quite stunning: Many of Panton&#8217;s designs preceeded the op-art trends of the mid-late 1960s by over a decade.</p>
<p>Panton&#8217;s use of colour and form in his textile work is a pinnacle of design in my opinion.  Not quite fully psychedelic, just enough &#8216;op&#8217; art, and containing sufficient visual stimulation to delight the mind.</p>
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