Posts tagged Exhibitions
Thought Projector at the ICC
Dec 7th
If anyone is interested in the intersection of Art and Technology, they should hit up the NTT InterCommunication Center (ICC) next to Hatsudai station, near Shinjuku, Tokyo. There is a show called Light InSight, which features several installations which discuss light in Art. It included a machine which photographs retinas, a sonochemical observatory, luminescent walls, and interactive smoke tunnels.
The Open space featured more contemporary works of Art including a very exciting anechoic chamber, and a lot of interactivity in nearly every work.
NTT ICC
The hidden nature of beauty.
Sep 3rd
A series 8 of paintings on 61x61cm plywood boards was completed for a group exhibition. The subject matter is magazine models, painted in oil on untreated hardwood ply and then sealed. Their message raises questions about beauty and nature. Natural beauty is found everywhere, it is possible to see in many pristine locations which haven’t been adjusted by humans. Natural beauty is also found in human faces: models are selected by their looks, because it is their appearance that is attractive to viewers which helps sell products. However, their appearance is augmented with make-up and computers to improve the overall appeal and beauty. The same augmentative activities are performed with natural materials and objects. The natural beauty of wood grain does not appear without the help of humans and tools. The plywood surfaces of the paintings are a form of ‘constructed nature’: they are perceived to be natural, but do not appear in nature. Other examples include the Nautilus shell (the spiral aesthetic is invisible until the shell is cut), trans-axially cut fruit and polished stones.
Wet Paint Redux
Aug 28th
Hfour did a live painting show at Ever on the 29th of May 2008. Musical accompaniment by Esie and a traditional flute player.
Here is the write-up from the flyer:
Hfour explores the transience and ephemerality of life using paint as a metaphor. By intentionally repurposing traditional artists’ materials, he expresses a paradigm shift which suggests the awareness of the impermanent nature of contemporary society (disposable). Hfour channels primal expressions incorporated with reactive gestures to perform a painting without termination.
A collaborative performance with Flyflyfly reinforces the convergence of technology and human instinct; the postmodern city and the condition of society.
Two pieces were performed, both canvases were destroyed after the show.
Also included are photographs from the first live painting show performed in 2002 in Canada.
Exivision
Aug 23rd
A friend of mine emailed me to express his wish to attend my Art show and misspelled the word exhibition as exivision. I was impressed with his new word and named the show after it. The longer title was “Thunder Dragons and Flying Tigers: Visions of Bhutan.
Exivision toured through three exhibition spaces, two in Tokyo (2006 and 2007) and one in Kyoto (2007).
























